Folk-Pop Purveyors Belle & Sebastian Have Returned Five Years After The Hushed Write About Love With Their Ninth Album. Girls In Peacetime Want To Dance Marks A Shift In The Sextet’s Sound And Energy, Relying As Equally On Stomping Beats As It Does On The Glittering Soft Rock It Pioneered In The Mid-1990s. Here Are 10 Things You Need To Know About The Winning Collection:

1) The Shimmering “Play For Today” Features Dee Dee Penny Of Dum Dum Girls On Guest Vocals.
Penny Tells DIY Magazine That She First Met B&S Leader Stuart Murdoch When Her Band Performed In Norway At A Festival. She Eventually Auditioned For His Film, God Help The Girl, But Didn’t Make The Cut. However, Murdoch Was So Impressed By Penny That When Both Found Themselves In Atlanta In 2014, He Asked Her Into The Studio.

2) Belle & Sebastian Opted For Producer Ben H. Allen III This Time Around. His Pedigree Is Diverse: He’s Worked On Records For Diddy, Christina Aguilera, Animal Collective And M.I.A.

3) The Bucolic Album Opener, “Nobody’s Empire,” Is Essentially About Murdoch’s Wrestles With Chronic Fatigue. The Technical Term For His Ailment Is Myalgic Encephalomyelitis, But Seeming That The Phrase Isn’t Too Melodic, The Artist Turned The Song Into One Of Nostalgia. He Tells The Guardian: “There’s A Year Of My Life Bottled Into Every Line… When I Wrote It I Was Fighting The Same Demons. I Wrote The Song To Cheer Myself Up. I Wanted To Write My Own ‘Glorious’, In Inverted Commas, History. I Want To Walk Out Of This Room And Be A Normal Person.
I Want To Go On Tour With The Band. All Of This Is A Day-To-Day Battle So It Was Absolutely Real For Me, Writing That Song.”

4) Speaking Of “Nobody’s Empire,” The Heartwarming Video For The Song Features Footages Provided By Fans. The Group Implored Devotees To Send In Imagery Of “Childhood,” “Solitude,” “Dropping Out,” “Companionship” And “The City You Live In.” You Can Watch The Complete Video Here.

5) Girls In Peacetime Want To Dance Was Recorded In Atlanta. Quite The Climate Change For These Glaswegians. But While They Toiled In The Studio, They Also Gave Back To The Community— They Paid A Visit To The Children’s Healthcare Of Atlanta Hospital And Performed Journey’s “Don’t Stop Believin’” For The Young Patients.

6) Though The Album Isn’t Overtly Political, The Title And Album Cover Do Reflect The Group’s Frustration With Warfare. They Collectively Tell Swide: “The Artwork Shows A Girl Who’s Robot From The Waist Down And A Guy Who’s Robot From The Waist Up. The Suggestion Is That They’d Been Injured In Some Way During The War In The 40’S. Music-Wise, This Time We Tried More Than An Attempt To Make Directly And More Danceable Songs. And The Title Itself Is Also An Attempt To Talk About Important Themes, At Least For Me, Like Peace And War. Sometimes I Wonder If There Will Ever Be A Time Of Peace… I Mean, In The Last 20 Years There Were Wars Everywhere… Sometimes I Reflect On How We Are Able To Live Our Lives When In Some Places Wars Are Raging.” The Interview Further Reveals That The Band Supported The Scottish Referendum To Become An Independent Nation Outside The UK.
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